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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the duo scored a global success with their cover of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He later founded the innovative electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a mobility chair, as he had for the last two years, following a spate of health issues.

"I ended up damage myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about five ribs and broke my wrist."

Following catching a lung infection and developing blood poisoning, he was put in an induced coma and remained in hospital for half a year.

However, he had been in "high spirits mentally" during the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for release next year.

"He was focused and very pleased with the latest project that we actually completed only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from being in a group, the bond is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He was raised in Blackpool with his new family his caregivers, who changed his given name from Paul to David, alongside his younger sister his sister, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic showman, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk appear on a television science show a popular series, and began to combine moody electronic sounds to the soaring melodies Almond was writing.

Tainted Love became the United Kingdom's second biggest-selling song of the early 80s, shifting 21 million copies globally. Alongside successful tracks by other artists, contemporary bands and Ultravox, it contributed to cleared the way for the synth-pop sound of the 80s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Professional Journey

Success had its benefits. "I loved being able to purchase my initial property, having financial security and exploring, which makes me sound like a Miss World," Ball recently told with a publication.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of media interviews and TV performances, Ball said.

"I realize that's a common saying, but it's a truism for a valid cause, because it applies for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they succeeded to produce a follow-up memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond proceeded to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on 30 September, 2018.

However, they remained active, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the band's upcoming release as a tribute to the NYC nightlife they frequented while recording their initial records.

He added that his time in medical care had influenced the group's music.

"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a music magazine.
"Our latest tracks are a digital reflection of the sounds in my head from that time.
"In parallel, it's about the times me and Marc had in the 80s."

The final mixes were completed only days before Ball died. It is scheduled for launch in Spring 2026.

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About the author

Susan Carter

Elena Mitchell is a seasoned financial analyst and writer, specializing in investment strategies and market trends.

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